Shoot and slice as ‘Deadpool’ invades PH cinemas with R-16 rating

Manila, Philippines – “Deadpool” has been rated by the MTRCB (local censors board) with an R-16 rating due to the movie’s strong violence and language throughout including sexual content and graphic nudity.

“Deadpool” director Tim Miller couldn’t agree more as with all other R-ratings from across the globe. Along with Deadpool fighting in the buff, the film’s torrid scenes between Wade and Vanessa, and Deadpool’s non-stop and off-color verbal stylings, all contribute to the film’s R-rating. “I think the R-rating allows us to have a level of reality that wouldn’t be possible with a PG-13,” says Miller. “I also think it’s an important step in the expansion of the genre. There’s a type of film that can only be made with this rating, and that really expands the boundaries of the stories comic book movies can tell.”

Ryan Reynolds Films "Deadpool"

As fandom gets ready for “Deadpool” this February 2016 opening, the filmmakers remain convinced the time is right for this unique movie event. “When comic book movies first appeared, they had to be ‘tentpole’ movies, which had to appeal to the broadest possible audience,” Miller says. “Deadpool was always meant to be an edgy film, and the time is right for it. The genre of superhero and comic book films is wider and it feels like it’s time to do a film like this, that sort of pushes the boundaries a little further.”

“Deadpool” started life as Wade Wilson, an elite Special Forces operative turned mercenary. An expert marksman, swordsman and martial artist, and proficient in several languages, Wilson was diagnosed with terminal cancer, threatening to cut his days of being a hired gun short. Approached by a secret experimental program, Wilson was presented with a choice: take part in their twisted experiments for a chance to cure his cancer, or bear the pain of imminent death. But the shadowy facility didn’t exactly cure Wade’s cancer… What they did was activate dormant mutant genes that imbued Wade with with regenerative healing powers. In fact, the procedure advanced Wade’s cancer, leaving him permanently disfigured but incapable of death, the perfect cocktail for an unhealthy mind. Dubbed “The Merc with a Mouth”, Deadpool is a pop culture-literate antihero unique amongst comic book characters in that he can break the fourth wall and flip superhero conventions on their head.

The character’s accessibility is defined partly by his twisted sense of humor. “It really draws you in,” Reynolds notes. “Deadpool has this bright, optimistic outlook on life, even though his life is pretty shitty. I mean, he’s become horribly disfigured from the experiments that gave him his powers. And, he can’t find love and he’s more than a little insane.”

Bringing the exploits of an unconventional superhero to life sometimes created an equally unexpected vibe on set. Notes Stan Lee: “When you see Tim Miller and Ryan Reynolds working together, they are both so in sync; they see the movie the same way. It’s though they’re playing a game and each one of them is doing his job so magnificently. When I did my scene in DEADPOOL, I didn’t even know I was working. When it was over, I said, ‘When do we start?’ and Tim said, ‘You’re finished.’ That’s how effortless he makes it seem.”

That kind of playfulness, intermixed with a badass physicality, marks the film’s acrobatic action sequences. “Deadpool’s always been more lithe and agile than other characters in the Marvel universe,” says Liefeld. “Without even thinking about it, he can drop into a moving car and then take out a small army of tough guys, all the while cracking wise.”

“Deadpool” invades cinemas nationwide on February 10 (2D and IMAX screens) from 20th Century Fox to be distributed by Warner Bros.

Cast, crew share real dangers in shooting ‘The Revenant’

The history of the American fur trade is brief, yet pivotal, full of tales of daring but also grave destruction. Though the fur trade forged the romantic image of the mountain man – idealized loners purportedly as rugged as the wilderness they felt beholden to tame — the fur trade was also very much a business. In a sense it ushered in the first emergence of the archetypal Western entrepreneur, the visionary iconoclast who forges ahead answerable to no one but himself.

This is the era of  where trappers go into pristine landscapes among indigenous populations to extract resources – and the question that comes up is: at what cost? Based on few written and memorabilia of Hugh Glass who is considered “The Revenant,” one who came back from the dead and played by Leonardo DiCaprio (this year’s SAG winner as Best Actor, Drama for Revenant role) in the titular role, is centric to the movie’s powerful theme. By the 1820s, the fur trade had reached the Rocky Mountains and become intensely competitive, with traders battling one another as well as Native tribes. Hugh Glass worked for the Rocky Mountain Fur Company, then newly on the scene. The company utilized the “rendezvous system,” which meant they built no cabins or forts. Instead, their trappers were expected to hunt their own food, build their own shelter and fight their own battles, enhancing their stoic reputations.

THE REVENANT Copyright © 2015 Twentieth Century Fox Film Corporation. All rights reserved. THE REVENANT Motion Picture Copyright © 2015 Regency Entertainment (USA), Inc. and Monarchy Enterprises S.a.r.l. All rights reserved.Not for sale or duplication.
THE REVENANT
Copyright © 2015 Twentieth Century Fox Film Corporation. All rights reserved. THE REVENANT Motion Picture Copyright © 2015 Regency Entertainment (USA), Inc. and Monarchy Enterprises S.a.r.l. All rights reserved.Not for sale or duplication.

Shooting outdoors in Canada and Argentina, in snow, wind and often at high altitude, the cast and crew of “The Revenant” faced remnants of the same dangers and conditions that people would have faced back then. Dangers in production ranged from avalanches to bears – the production even had a Bear Safety Coordinator on set every day. While cast and crew had a justified concern about local bears, no actual bear was used in the grizzly attack sequences. That was one of the few places Iñárritu utilized CGI.

Another major threat, as it is for Hugh Glass in the story, was weather. At one point, a blizzard brought minus-27 degree temperatures, and the need for crewmembers to keep an eye on each other for the signs of frostbite. “I have learned that there is no bad weather, there are only bad clothes,” Iñárritu jokes, but he notes the intense cold gave the film a shivery reality shooting in tepid conditions could not.

revenant leonardo

Typical of the film’s extremes, a record-busting hot spell (the warmest Canadian winter in 23 years) turned the filmmakers into snow diviners. “Alberta is very susceptible to radical climate changes,” says Iñárritu. “You can have seven different kinds of weather in a single day. In the beginning, we struggled with low temperatures and blizzards. Later on, we struggled with no snow. It was a winter of record high temperatures, and we went from chasing Chinooks to chasing ice.”

When the film ultimately came full circle, Iñárritu assembled cast and crew just as he had in the beginning. He said to the group, “To make a film like this is the journey of a lifetime. It’s been a journey of wonder with challenging moments and tough ones and beautiful ones. I feel honored, thankful, humble, happy and sad that we achieved what we achieved. What we achieved is amazing. Every single day of the production was difficult, but I think this has been the most fulfilling artistic experience of my lifetime.”

“The Revenant” is now showing (opens February 3) in cinemas nationwide from 20th Century Fox distributed by Warner Bros. Also available in IMAX screens.