Mikhail Red’s mystery horror film ‘Eerie’ loses its steam by relying on derivative jumpscares and ultimately, a run-on-the-mill storyline. Back then, I’m so impressed with Mikhail Red’s Birdshot that I saw it twice in the cinemas. His recent Neomanila, despite my reservations on the build-up of its ending, still works just fine. Needless to say, […]