Ai-Ai Delas Alas is back on the big screen again with her extraordinary motherly love that will surely tickle and touch your heart in ‘S.O.N.S. (Sons of Nanay Sabel).’
This time, Ai-Ai plays the role of Sabel, a former Bartender who was supposed to be married to a Prince. Unfortunately, the Prince found out about Sabel leaving her 6 children at an orphanage, and decides to call off the wedding. After the wedding was called off, Sabel decided to look for her sons and reunite her family once again.
Her sons were left to the care of Sister Mary (SHEREE), who kept all the details of Sabel’s kids’ foster families and handed it to her when she finally came back as she promised.
Sabel’s sons, are played by the members of the hit rap group Ex-Batallion. Bieber (DARYL) and Justin (ARCHIE) were both adopted by a rich businessman and grew up with their Yaya Bona (JON SANTOS) who went with them when Sabel took back her two sons; Troll Montero (KING BADGER) was adopted by a barber; Baby James (JAMES) AND EZ (MARK) were both adopted by an old lady named Lola Narcisa, and they only discovered that they were brothers when Sabel took them; Bhoy (RHENN) was adopted by a couple who abuses him and never loved him, that’s why Sabel forcefully took him from his foster parents.
Sabel and her sons will experience the riot of living together for the first time, and will form the family bond that Sabel has always dreamed of. But it will soon be tested when the beautiful and flirty Helen (KYLIE VERSOZA) makes the brothers fall in love with her and fight for her. Can the bond that the brothers built at a short time overcome this challenge? Will Sabel be able to hold the family that she worked hard to bring together again?
SONS OF NANAY SABEL is written by Mel Mendoza Del Rosario, the same writer who wrote the blockbuster hits trilogy of Tanging Ina, and Ang Cute ng Ina Mo. And aside from their crazy antics, Ex Batallion also has something new for their fans, as they release their new tracks “Sama-Sama”, “Huwag Siya” and “Bagong Umaga” featuring Ai-Ai in the movie.
It’s going to be one riot of a family with Ai-Ai Delas Alas and Ex Batallion in SONS OF NANAY SABEL.
‘S.O.N.S. (Sons of Nanay Sabel)’ opens May 1 in cinemas nationwide. Presented to you by VIVA Films.
On November 21, video game bad guy Ralph and fellow misfit Vanellope von Schweetz will be back on the big screen in Ralph Breaks the Internet: Wreck-It Ralph 2. In this follow-up to 2012’s Wreck-It Ralph, the best pals leave the video arcade behind, venturing into the uncharted, expansive, and fast-paced world of the internet—which can be both incredibly exciting and overwhelming, depending on who you ask.
Says director Rich Moore, “They’re like a couple of small-town kids who venture into the big city. One falls in love with the city, while the other one can’t wait to go home.”
“Ralph is in love with the life that he has,” adds director Phil Johnston. “But Vanellope is ready for a change—she wants to spread her wings a little. That creates conflict within their friendship, which becomes the heart of the story.”
When the sequel begins, things are going well in the arcade—Ralph (voiced by John C. Reilly) and Vanellope (voiced by Sarah Silverman) happily complete their duties in their games during the day and hang out together in their neighboring arcade games at night. But Vanellope is starting to get bored with the routine. To help his friend out, Ralph tries to make Sugar Rush more exciting, only to start a chain of events that leads to a crucial part of the game being broken. To save the game, Ralph and Vanellope must go to the unfamiliar world of the internet to look for the part in a place called eBay.
Says Pamela Ribon, who wrote the screenplay with Johnston, “Ralph and Vanellope have never heard of the internet, much less eBay, but Litwak has installed a router, so the arcade is actually online for the first time. They decide to take the leap into this unknown world and travel to the internet in order to find the crucial part and save Vanellope’s game.”
A whole new world (wide web)
Exploring the world wide web did not just overwhelm Ralph, it intimidated the filmmakers at the start, too! “It never stopped being intimidating,” shares director of story Jim Reardon with a laugh. “We looked at how we could make the internet relatable on a human level—like how Game Central Station, a.k.a the power strip, mirrored a train station in the first movie. In Ralph Breaks the Internet: Wreck-It Ralph 2, any person who uses the internet has a little avatar version of themselves that does their business for them.”
According to director Moore, the possibilities were both exciting and overwhelming. “We were too naive to realize how overwhelming it would be,” he says. “It was the perfect setting for the story we wanted to tell.”
Producer Clark Spencer agrees. “Nothing else was even pitched,” he says. “Going into the ultra-modern world of the internet was not only a nice contrast to the first film’s nod to the arcade, it offered unlimited possibilities. We could actually personify retail sites, social media, and search engines—we could give people a look inside their computers when they go online.”
A lot of careful planning and ingenious creativity went into building the vast and modern world of the internet into the retro world of Wreck-It Ralph. But despite the scale of the sequel’s setting, the heart of the film remains the same: the friendship between Ralph and Vanellope.
“Ralph and Vanellope are imperfect characters,” says Moore. “But we love them because of their flaws. Their friendship is so genuine—the chemistry between them so engaging—that I think we were all anxious to know more about these characters.”
Ralph Breaks the Internet: Wreck-It Ralph 2 opens in Philippine cinemas November 21. Join the conversation online and use the hashtag #RalphBreaksTheInternet
About Ralph Breaks the Internet: Wreck-It Ralph 2
In “Ralph Breaks the Internet,” video-game bad guy Ralph (voice of John C. Reilly) and best friend Vanellope von Schweetz (voice of Sarah Silverman) leave the comforts of Litwak’s arcade in an attempt to save her game, Sugar Rush. Their quest takes them to the vast, uncharted world of the internet where they rely on the citizens of the internet—the Netizens—to help navigate their way. Lending a virtual hand are Yesss (voice of Taraji P. Henson), the head algorithm and the heart and soul of the trend-making site “BuzzzTube,” and Shank (voice of Gal Gadot), a tough-as-nails driver from a gritty online auto-racing game called Slaughter Race, a place Vanellope wholeheartedly embraces—so much so that Ralph worries he may lose the only friend he’s ever had. Directed by Rich Moore (“Zootopia,” “Wreck-It Ralph”) and Phil Johnston (co-writer “Wreck-It Ralph,” “Zootopia,” writer, “Cedar Rapids”), and produced by Clark Spencer (“Zootopia,” “Wreck-It Ralph,” “Bolt,” “Lilo & Stitch”), “Ralph Breaks the Internet” hits Phiippine theaters on Nov. 21, 2018.
British intelligence has changed. But Johnny English plays by his own rules. Watch the first trailer of the spy comedy Johnny English Strikes Again which has just been released Universal Pictures.
Johnny English Strikes Again is the third installment of the Johnny English comedy series, with Rowan Atkinson returning as the much loved accidental secret agent. The new adventure begins when a cyber-attack reveals the identity of all active undercover agents in Britain, leaving Johnny English as the secret service’s last hope. Called out of retirement, English dives head first into action with the mission to find the mastermind hacker. As a man with few skills and analog methods, Johnny English must overcome the challenges of modern technology to make this mission a success.
Johnny English Strikes Again stars Rowan Atkinson, Ben Miller, Olga Kurylenko, Emma Thompson and Jake Lacy. Directed by David Kerr, the film is written by William Davies and produced by Tim Bevan, Eric Fellner and Chris Clark.
In Philippine cinemas soon, Johnny English Strikes Again is distributed in the Philippines by United International Pictures through Columbia Pictures.
For the first time in 20 years, global stars Jada Pinkett Smith and Queen Latifah reunite onscreen in Universal Pictures’ adult comedy Girls Trip, exclusive at Ayala Malls Cinemas (Trinoma, Greenbelt 1) starting September 27, 2017.
Girls Trip follows four lifelong friends––Ryan, Dina, Lisa and Sasha—as they travel to New Orleans for the annual Essence Festival, where sisterhoods are rekindled, wild sides are rediscovered and there’s enough dancing, drinking, brawling and romancing to make The Big Easy blush.
Jada Pinkett Smith (Magic Mike XXL) stars as Lisa Cooper, a conservative nurse and mother of two children who desperately needs a weekend getaway; and Queen Latifah (Miracles from Heaven) as Sasha Franklin, a gossip blogger who is circling a life reset of her own. The two first so brilliantly appeared onscreen together in F. Gary Gray’s endlessly watchable Set It Off.
Producer Will Packer admits he’s thrilled about putting the two global stars in another movie: “Queen Latifah was right for Sasha, as Jada Pinkett Smith was perfect for Lisa. Then we realized how great it would be if we got them both and put them together. Once we discovered that they were both interested—and they talked to each other because they have maintained a great friendship throughout the years—we knew we could have something special. It could get no better.”
Pinkett Smith discusses her interest in joining the Girls Trip production, and in one word, it is “cast.” She reflects: “I wanted the opportunity to work with Latifah again. I’d never worked with Regina Hall, and she’s absolutely hilarious. That and, of course, I’ve had the blessing of meeting Tiffany Haddish and working with her.”
The veteran performer gravitated to her character because she saw such a light in her, albeit one that had dimmed over the years but was still a part of her. “Lisa’s been caught up in the mother game,” Pinkett Smith offers. “When she was in college she used to be a wild child, but now she’s so domesticated. She doesn’t have much of a style anymore because it’s just about her kids and about work. This trip that she’s going on with her girlfriends will help her get her groove back.”
When it came to casting Latifah, Packer was as happy as anyone in the cast or crew to reunite Smith and her former co-star. “Queen Latifah is somebody who we know can do comedy, drama and we know she can act,” he says. “So it was a role that we took and wrapped it around her to make it fit her persona.”
Queen Latifah punctuates the connection of family in the film, saying: “This movie is all about sisterhood. We step in at different times, and we all supply what the others need. Sometimes you just need a hug. Sometimes you need to be checked. Sometimes you need to be snapped out of something or a shoulder to cry on. The bottom line is we’re always there for each other; it doesn’t matter what’s going on. We will shut everything down to be there, and women can relate to that. They need to see that, so we are going to show it to them in more ways than they probably even thought.”
The actress appreciated that she had to go to darker places with her character, as Sasha is perhaps experiencing the biggest life change among the four friends. She explains: “Sasha is currently a blogger, but that’s not what she wants to be doing. She’s a journalist by training, and she always expected that she and Ryan (Regina Hall) would do that together. But that went another direction when Ryan started her own thing with her husband and left Sasha in the dark trying to figure out what to do next. She drifted into writing salacious stories that her heart is not into. She’s also not in best place financially —living high post on low ink, fronting a little bit,” Latifah concludes.
Girls Trip is distributed by United International Pictures through Columbia Pictures.
From the studio that brought you Shrek, Kung Fu Panda and Madagascar, comes DreamWorks Animation’s “The Boss Baby,” a hilarious family comedy about how a new baby’s arrival impacts a family, told from the point of view of a delightfully unreliable narrator — a wildly imaginative 7-year old named Tim. The most unusual Boss Baby arrives to Tim’s home in a taxi, wearing a suit, carrying a brief case and speaking with the voice and wit of Alec Baldwin. The sibling rivalry between the two brothers is reluctantly cast aside when Tim discovers that Boss Baby is actually a spy on a secret undercover mission, and only he can help. An outrageous adventure ensues as the pint-sized partners prepare to thwart a dastardly plot involving an epic battle between puppies and babies.
Inspired by the best-selling picture book by Marla Frazee, this riotous comedy for all ages features the voices of Alec Baldwin as Boss Baby, Steve Buscemi as the villainous Francis E. Francis, Jimmy Kimmel and Lisa Kudrow as Tim and Boss Baby’s unsuspecting parents, Miles Bakshi as Tim, and Tobey Maguire as the film’s narrator.
Actor Tobey Maguire (Spider-Man trilogy, The Cider House Rules) narrates the movie. “Tim is a happy seven-year-old with two loving parents, who is initially an only child, but when he gets the news that he is getting a little brother, he is not too pleased that he has to share the love and time of his parents,” explains Maguire. “He is struggling with the transition, so he has kind of created all these things about Boss Baby because he has a very strong imagination.”
Maguire points out that Tim’s relationship with his brother is very contentious. “Tim is very suspicious of his new baby brother because he’s like a little man who’s got an agenda, and he would like to expose him so he can get the attention of his parents back. But then they have to join forces and help each other fight Francis and stop his plot to destroy Baby Co.”
When the baby’s mission is accomplished, and he has to go away, Tim thinks he’s happy, but he’s grown really fond of his little brother, and he ultimately doesn’t want him to go away.” The talented actor says he finds the movie quite funny and very relatable. “The movie’s themes are demonstrated through fantasy—through this really fun idea of essentially Alec Baldwin being a Boss Baby, which is a blast. But it’s also relatable because if you’ve been in any of these roles, as a sibling or a parent, it’s certainly something you have probably experienced.”
Maguire is also quick to point that he has had a great time working with Tom McGrath and the rest of his creative team. He notes, “He has been great and very easy to work with, but I really admire his creativity. He’s really imaginative, and very funny. I just think he has found such a charming and unique tone for this movie.”
An ideal Easter weekend movie for the whole family, “The Boss Baby” opens April 15, 2017 (Saturday) in Philippine cinemas from 20th Century Fox as distributed by Warner Bros.
The latest badass comedy “Bad Moms” brings together an ensemble of extremely talented group of filmmakers starting from the writer/director duo, Jon Lucas and Scott Moore who also penned the outrageous worldwide hit “The Hangover,” along with producer Suzanne Todd, a multiple Golden Globe® and Emmy® nominated producer whose movies have grossed more than two and a half billion dollars worldwide such as “Austin Powers” trilogy, “Alice Through the Looking Glass,” “Boiler Room” and “Memento.”
With a wide array of adjectives to choose from – tiger moms, soccer moms, perfect moms, fed up moms, you name it, they’re all here in “Bad Moms,” the ultimate tribute movie about the awesomeness of mothers starring Mila Kunis, Kristen Bell, Kathryn Hahn, Christina Applegate and Annie Mumolo with Jay Hernandez, Oona Lawrence and Emjay Anthony.
It’s war between the good and the mean in “Bad Moms,” contemporarily set in a world where there’s simply an overload of information – high tech apps, meaningful blogs, ‘expert’ advice, judgy “feedback” – but nothing has ever solved the one big issue all moms face: How to get it all done in the measly 24 hours to keep their family fit, fed and functioning, all with a smile after a long day. Does any app or hashtag address that? Can one blame them if they finally freak out? The answer is clear – #No #NoYouCan’t.
Further in “Bad Moms,” other moms know not to cross supermom Gwendolyn James (Applegate), the community’s arbiter of acceptable behavior, and Amy Mitchell (Kunis) certainly never meant to. Life is hard enough. But upon reaching her tipping point, Amy is set to prove the perfect moms wrong and joins forces with Kiki (Bell), a stay-at-home mom and Carla, a single mom, together they brand themselves as “bad moms” eventually losing all fear of anyone else labelling them.
Kunis signed on as lead character Amy Mitchell, a working mom whose myriad obligations leave her cut off from friendships, let alone the idea of fun for its own sake. Poor Amy is too busy to realize what she is missing. “Really early on in motherhood, you forget that you’re a girl and you need girlfriends,” said Kristen Bell, a real life mother of two. “Part of the beauty of this film is that it’s about these mothers discovering friendships again.”
“Reading the script, you’d think a woman wrote it, but talking to Jon and Scott, you realize it’s an homage to their wives,” said actress Mila Kunis, a real-life mom herself. In fact, all six of the film’s leading ladies are mothers, as is producer Suzanne Todd.
Lucas and Moore found expert guides to help them stir the soup, they hosted dinner parties with lots of moms, lots of wine and lots of stories from the trenches. “What moms talk about is not how it’s usually portrayed in the average Hallmark-y Mom movie,” said Lucas. “It’s way more interesting and fun, and way more R-rated. Sometimes X-rated. And, yes, there’s conflict!”
Producer Suzanne Todd, a mother of three, agreed. “It just feels like my experience. There were five scenes in the script that I felt like I had lived for sure. I mean exact, like exact detail of dialogue and specific things that happened; because it is kind of a shared collective experience about how hard we try to be good moms, how hard we are on ourselves about not being good enough.”
“Bad Moms” opens August 3, 2016 in cinemas nationwide from Pioneer Films.
Dwayne Johnson and Kevin Hart flip up the buddy action-comedy genre in Universal Pictures’ “Central Intelligence.” (Watch the film’s trailer and check out the the teaser poster below.)
“Central Intelligence” follows a one-time bullied geek who grew up to be a lethal CIA agent (Johnson), coming home for his high-school reunion. Claiming to be on a top-secret case, he enlists the help of the former “big man on campus” (Hart), now an accountant who misses his glory days. But before the staid numbers-cruncher realizes what he’s getting into, it’s too late to get out, as his increasingly unpredictable new friend drags him through a world of shoot-outs, double-crosses and espionage that could get them both killed in more ways than he can count.
“Central Intelligence” also stars Oscar® nominee Amy Ryan (“Bridge of Spies”), Aaron Paul (TV’s “Breaking Bad”) and Danielle Nicolet (TV’s “The Game”). The film is directed by Rawson Marshall Thurber (“We’re the Millers”). The screenplay is by Ike Barinholtz & David Stassen and Rawson Marshall Thurber, from a story by Ike Barinholtz & David Stassen. It is produced by Scott Stuber (“Ted”), Peter Principato (TV’s “Black-ish”), Paul Young (“Black-ish”) and Michael Fottrell (“Fast & Furious 7”). Serving as executive producers are Ed Helms, who worked with Thurber on “We’re the Millers,” Samuel J. Brown and Michael Disco.
New Line Cinema and Universal Pictures present a Bluegrass Films/Principato Young Entertainment Production, a Rawson Marshall Thurber Film, Central Intelligence.
“Central Intelligence” opens across the Philippines on June 15, 2016, and is distributed by United International Pictures through Columbia Pictures.
Expectant moms, single moms, stepmoms, gay moms, estranged moms, long-lost moms and mothers of all kinds get their due in an emotional tribute to the tie that can’t be broken in “Mother’s Day,” an endearing and entertaining romantic comedy about everyone’s first love, our mothers.
Director and producer Garry Marshall once again brings together an all-star cast for a joyous holiday celebration in his new film, “Mother’s Day.” Marshall tackles the complicated connection between mother and child through a series of deftly interwoven stories that salute the sometimes maddening, often conflicted and always powerful bond of maternal love in a movie about the impact mothers have on their children’s lives — even when they don’t mean to.
Jennifer Aniston ( “Friends”), Kate Hudson (“How to Lose a Guy in 10 Days”), Julia Roberts (“Pretty Woman”), Jason Sudeikis (“We’re the Millers”) and Britt Robertson (“Tomorrowland”) star in interwoven stories about a group of women with one important thing in common- mothers. In the week before the one day of the year when Mom comes first, the lives of a group of strong, loving and wildly imperfect women, from a divorced mother dealing with her kids’ new stepmom to a young mom trying find her own birth mother, provide an emotional and humorous reminder that every mom is her own kind of hero.
Julia Roberts, marking her fourth appearance in a Garry Marshall film, was the first star on board, agreeing to play Miranda, the queen of a ubiquitous home shopping network. Sleekly coiffed and impeccably turned out, Miranda has a secret that will be revealed by the end of the film.
Jennifer Aniston plays recently divorced Sandy with two sons. She and her ex-husband, Henry (Timothy Olyphant), are on exceptionally good terms until he impulsively weds his much younger girlfriend and Sandy finds herself struggling with the idea that she’s replaceable. “It comes out of the blue,” says Aniston. “She suddenly has to share her children with their new stepmom. It’s a complete game changer when another person comes in as a co-parent to your children.”
Shay Mitchell, from the television series “Pretty Little Liars,” plays Henry’s new wife, Tina. Tina is young and naive, but her affection for both Henry and his children is authentic, says the actress. “She really does care so much for the kids and is trying genuinely to play the role of being their other mom. She doesn’t think Sandy will be upset at all. They’re going to work as a team and raise these kids as best they can.”
Kate Hudson plays Jesse, a happily married mom who is estranged from her own mother. “Jesse and her sister Gabi cut off their parents because they have both made lives they know their parents wouldn’t approve of. Gabi is married to a woman. Jesse married an Indian man and has a child with him.” Hudson explains.
The film also introduces a “Mister Mom” Bradley (played by Jason Sudeikis), the father of two girls is facing his first Mother’s Day without his wife, a Marine killed in combat. It has been almost a year since her passing and the kids are trying to move forward, but Bradley has only scratched the surface of his mourning. The storyline adds a note of poignancy to the movie as he struggles to let go of the past for his children’s sake.
Britt Robertson, who recently starred opposite George Clooney in the blockbuster “Tomorrowland,” plays Kristin, a new mom who has never met her birth mother. Kristin’s British boyfriend Zack (Jack Whitehall) wants very much to marry her, but she’s not sure. Adopted as an infant, Kristin fears that because she’s never known her birth mother, she doesn’t know what kind of woman she’s going to be. “I immediately said yes to this project,” Robertson recalls. “I just loved all the different storylines and the different kinds of relationships between mothers and children. I think everyone will find a character they can relate to.”
“Mother’s Day” opens May 4, 2016 in cinemas from OctoArts Films International.
“ZOOLANDER 2” Review
Co-written and directed by Ben Stiller
Zoolander 2 is the disaster sequel that should not have been. Dressed as the sequel to the 2001 film Zoolander, it offers nothing fresh as it ridiculously tries to exude the same wackiness of the original’s satirical inspection of the fashion industry and fails all the time.
Its story makes the perfect excuse to separate the two fashion icons in Derek Zoolander (Ben Stiller) and Hansel McDonald (Owen Wilson) and setting them not just in seclusion but also in the brink of retirement. The reunion could have sparked interest and a few laughs, knowing how it would be riotous to keep them together, but remains on one side of a plateau ready for a downfall. With the inclusion of a sexy police in Penélope Cruz’s Valentina and a comical fashion maven in Kristen Wiig’s Alexanya Atoz, there is something else to notice other than the trip-inducing appearance of Will Ferrell as Mugatu.
After receiving a special invitation to join a major world fashion event in Rome, Italy, Derek and Hansel have the best trigger to redeem themselves and bring back the glory that they rightfully achieved in the 2001 film. When they are put on the runway, they both expect the same glory as before. However, much to their shame, they are presented with the words “Old” and “Lame” across their outfits. Those adjectives should have just stayed throughout the film even until they are recruited to save the fashion world to add more spice to the already bland story.
Zoolander 2 overwhelms itself with the cameo participations of a number of stars, adding reality to the kind of comedy that gravely attempts to be either self-aware or funny. The trailers could have been nice enough to take these surprises off the meters but these could actually entice the audience to give the film a chance.
Introductions to the bit players are good enough to serve the film a good means for short laughters (and ultimately a distraction every once in a while) but nothing more. As an opener, Justin Bieber sprints and parkours as he gets away from an operative, only to be cornered and gunned down in the most dramatic way possible—a much-feared picture for the fans and much-awaited dream-come-true for the haters. As if the multitude of gunshots are not enough to make him faint, Bieber pulls out his phone to take a selfie, channelling Zoolander’s trademark pose, and spends time in choosing a filter in Instagram before sharing it online. A surprise in the limelight is Benedict Cumberbatch as a gender-fluid model with long, straight, black hair that would make one scream “Whatever happened to Sherlock Holmes!” Also featured are Susan Boyle giving a middle finger at the Rome airport, a nagging and rumormongering Sting, and Kiefer Sutherland in desertland. Playing bit roles as well are fashion icons Anna Wintour, Valentino, Kate Moss, Marc Jacobs, Alexander Wang and Tommy Hilfiger, who are all on the lookout for the fountain of youth.
Director, co-writer, co-producer, and lead star Stillerappears to have been too engrossed in the idea of creating a follow-up, granted the reception of the original comedy 15 years since. All those years could have been spent in other materials and that idea could have just remained as is: an idea never to be realized for the sake of the world’s sanity. Zoolander 2 just turns out as one unrehearsed show in a colorful and vibrant and blazing runway, teeming with capable supermodels that awkwardly lose their balance at the crack of lame jokes and silly sketches. More than just an unforgettable film all in all, this sequel is simply a mish-mash of outmoded ideas—unfashionable and centuries too late.
ALWAYS BE MY MAYBE never veers away from the cinematic universe of familiar hugot where Arci Muñoz is that exploding star that lives.
“Always Be My Maybe” Review
Starring Gerald Anderson and Arci Muñoz
Directed by Dan Villegas
As Star Cinema’s latest offering, released just four weeks after Everything About Her (which stars Vilma Santos, Angel Locsin and Xian Lim), Always Be My Maybe might feel like a rushed project on the surface but there is a tempting flavor within it that makes the end product still lovable and ultimately charming.
Here’s the conventional boy-meets-girl story with two characters getting to know each other, leading to the blossoming of romantic feelings, up to a happy ending in spite of all the troubles caused by confrontations and third parties.
Gerald Anderson’s Jake Del Mundo is your typical handsome playboy—well-poised to propose to his longtime girlfriend Tracy, only to get rejected. On the other hand is Arci Muñoz’s hopeful Tintin Paraiso who is under the false hope that she would finally get herself a fiancé, only to discover that her guy has just got into a relationship.
Heartbroken, they respectively try to mend their feelings until they meet in the resort he owns. He quickly recognizes her as the dejected tutorial girl whose tutorial videos have gone viral over social media platforms because of her injection of witty comparisons to love’s aches and shortcomings (sound familiar, right?).
After spending one night over bottles of beer and an endless conversation about their personal lives, a dreamy Jake becomes interested with a candid Tin. The fruition of their good friendship paves the way for intimacy.
They agree to be the wingman of each other in the attempt to find a better person than their exes. What they discover are the wonders of their being together: the irreplaceable closeness, the ease of lending an ear to hear the other’s share of burdens, and the idea that someone cares.
On that note, most of the film’s interesting points can be attributed to the surprise pairing of Anderson and Muñoz. Having a dozen of entries already added to his filmography, Anderson has made a name for himself as that bankable lead star (where most of the time he is paired to Kim Chiu) and any new girl would have the spotlight on her.
When Muñoz came into the picture, curiosity sparked as to how she could pull off her first starring role in a movie after her commendable stint as the third party in the John Lloyd Cruz-Bea Alonzo starrer A Second Chance.
With them being surrounded by a lot of supporting characters that only drive the story for comic relief or to serve as conscience to Jake and Tin, it is good to point out how their teamup singularly works and how the chemistry is more than fascinating to root for. Enticing are their love scenes and the playful and friendly exchanges of teasing remarks.
Music also plays a big role in the overall mood of the film. Reminiscent of the musical scoring done in the two previous Dan Villegas films (English Only, Please; Walang Forever), the music here gives room to immerse one’s self into both the pains and joys of remembering. Marion’s “Free Fall into Love” gives that energetic tone that reverberates as it quickly sticks to memory with her enchanting voice and the song’s catchy lyrics.
Always Be My Maybe never veers away from the cinematic universe of familiar hugot–something that has long since been a fad as it is not difficult to relate to. Not that it is has to be its shortcoming or even serve as a complaint. For as long as there is a demand for such, the supply could not be helped but to overflow.
Recently, we had movies after movies that delve into the sentimentalities of Filipinos thanks to the likes of the works of Antoinette Jadaone, who happens to be the real-life partner of Villegas. Together, in the league of others who have climbed on the bandwagon, they are able to explore this universe that is all familiar and easy to grasp.
And in this particular universe, Arci Muñoz is that exploding star that lives. She exudes with indispensable charm and beauty. This is something to note for future references (other than to figure out the relation of the movie title to the story itself—which is undoubtedly a standard in any given Star Cinema movie).
Also starring Jane Oineza, Jairus Aquino, Kakai Bautista, Ricci Chan, Ahron Villena, Pepe Herrera, Nikki Valdez, TJ Trinidad, and Tirso Cruz III, Always Be My Maybe opened today, February 24, via Star Cinema, an ABS-CBN company.