Disney-Pixar’s ‘Onward’ opens Mar 4 in PH with early screening on Leap Day, Feb 29

The studios of Disney and Pixar have taken moviegoers in many locations—from under the sea, into space, back in time, and into the toy box. Now, as both studios expand their wings, they open their doors to a brand-new, thrilling world where fantasy meets familiar.

This March, Disney and Pixar continue their long legacy of storytelling with a heart in the original animated feature “Onward”. Set in a suburban fantasy world, “Onward” introduces two teenage elf brothers who embark on an extraordinary quest. They venture to discover if there is still a little magic left out there, in the hopes of spending one final day with their dearly departed father who passed away before they had vivid memories of him.

The all-new fantasy feature film is directed by American animator Dan Scanlon, joined by Pixar film producer Kori Rae, both of whom previously worked together in creating 2013’s Monsters University.

“The story is inspired by my own relationship with my brother and our connection with our dad who passed away when I was about a year old,” shares director Dan Scanlon. “He has always been a mystery to us. A family member sent us a tape recording of him saying just two words: ‘hello’ and ‘goodbye’. Two words—but to my brother and I, it was magic,” he added.

To the filmmakers behind Pixar, the urge to enkindle a world filled with magic was taken to heart. From here sprung the idea of creating a modern suburban fantasy film, introducing a completely a new genre for Pixar. As elves, cyclops, centaurs, and trolls reside in the world of whimsical suburbia, it’s a mystery how the magic has been disappearing for years. “Only certain people could do it,” says producer Kori Rae. “It was difficult, and you had to really practice. As technology was introduced, everyone found easier ways to do things. Magic is possible, it’s just that nobody really does it anymore,” she continued.

OH BROTHERS – In Disney and Pixar’s “Onward,” two teenage elf brothers embark on an extraordinary quest in a van named Guinevere to discover if there is still a little magic left in the world. Featuring Tom Holland as the voice of Ian Lightfoot, and Chris Pratt as the voice of Ian’s older brother, Barley, “Onward” opens in U.S. theaters on March 6, 2020. ©2019 Disney/Pixar. All Rights Reserved.

Disney and Pixar’s “Onward” brings together a stellar roster of voice actors to give life to its original characters with Tom Holland as Ian Lightfoot, Chris Pratt as Barley Lightfoot, and Julia Louis-Dreyfus as their mother Laurel Lightfoot.

Also joining the cast are Octavia Spencer as the Manticore, Mel Rodriguez as Officer Colt Bronco, Lena Waithe as Officer Specter, Ali Wong as Officer Gore, Grey Griffin as Dewdrop, Tracey Ullman as Grecklin, and Wilmer Valderrama as Gaxton.

Disney and Pixar’s “Onward” also features a dynamic musical score from acclaimed composers Mychael Danna, an Oscar® winner for “Life of Pi”, and Jeff Danna—while five-time GRAMMY® Award winner Brandi Carlile performs an original heartrending song, “Carried Me With You”, for the end credits.

Disney and Pixar’s all-new animated film “Onward” journeys to Philippine theaters on March 4, 2020, and will have an early release happening at selected cinemas on Leap Day, February 29, 2020. Join the conversations online at #OnwardPH.

BAD DRAGON – In Disney and Pixar’s “Onward,” Ian Lightfoot’s mom has his back—even when his hyperactive pet dragon, Blazey, is misbehaving. Featuring Julia Louis-Dreyfus as the voice of Mom, and Tom Holland as the voice of Ian, “Onward” opens in U.S. theaters on March 6, 2020. ©2019 Disney/Pixar. All Rights Reserved.

About Onward

When teenage elf brothers Ian and Barley Lightfoot (voices of Tom Holland and Chris Pratt) get an unexpected opportunity to spend one more day with their late dad, they embark on an extraordinary quest aboard Barley’s epic van Guinevere. Like any good quest, their journey is filled with magic spells, cryptic maps, impossible obstacles and unimaginable discoveries. But when the boys’ fearless mom Laurel (voice of Julia Louis-Dreyfus) realizes her sons are missing, she teams up with a part-lion, part-bat, part-scorpion, former warrior – aka The Manticore (voice of Octavia Spencer) – and heads off to find them. Perilous curses aside, this one magical day could mean more than any of them ever dreamed. 

Directed by Dan Scanlon and produced by Kori Rae, Disney and Pixar’s “Onward” opens in Philippine theaters on March 4, 2020 (Wednesday). Join the conversations online at #OnwardPH.

‘Toy Story 4’ review: Schooling adults on existentialism

With its weighty themes on existential crisis and self-actualization, Toy Story 4 has strong and valid reasons to bring back our beloved characters for one more adventure.

The announcement of Toy Story 4 is met with a lot of apprehension from fans and I totally get what they’re feeling. Toy Story trilogy wrapped up on such a perfect note that it almost feels sacrilegious to extend the story of Woody (Tom Hanks), Buzz (Tim Allen) and Co. for the sake of a shameless cash grab. Toy Story 3 marks the pinnacle of the franchise and anything less than ‘perfect’ will smear its reputation. Despite this, I went to the screening with prejudices set aside. After all, if there’s a Hollywood studio that can match their timeless classics, it’s probably the combination of Disney and Pixar.

And boy, I am pleased to see this surprisingly, much-needed epilogue. To say the least, I walked out of this movie with a big smile and an enriched perspective in life. If TS3 tackles separation anxiety and the lifelong impact of toys to kids, TS4 poses deeper existential questions. In here, the successor of Andy’s toys, Bonnie (Madeleine McGraw) literally makes a new friend, Forky (Tony Hale), out of a spork. He soon becomes a conscious and sentient toy who believes that he’s not meant to be a plaything. This leads to a hilarious gag of Forky throwing himself to a trash bin, and Woody repeatedly intercepting his suicide attempts.

Forky insists, “I’m trash!” and we all know what he’s talking about. It’s something that we must have said to ourselves at some point in our lives. But what makes a toy, a toy? How do you measure someone’s worth? Is it by looking at what they’re made of, or is it about them finding and fulfilling their purpose? Four movies in and this franchise continues to depict its characters the way that a kid would have imagined them: as toys imbued with real human depth and emotions.

Forky grapples at the confusing reality of his existence while Woody teaches him the essence of “toyhood.

The rescue adventure kicks into gear as sheriff Woody goes after Forky who sneaks out during a family trip. Along the way, he unexpectedly reunites with his old flame Bo Peep (Annie Potts), the shepherdess who has now turned into a free-spirited, self-sufficient “lost toy,” since her last appearance in Toy Story 2. For this installment, Bo Peep has a much more significant role than being just Woody’s love interest. Aside from being an empowered heroine, she’s there to challenge his existing ideals.

Over time, we’ve seen how Woody developed into a parental figure to his owner. He believes that the most noble thing a toy can do is to be there for a child. But does the principle still apply now that Bonnie is no longer fond of playing him? Would he be content on spending most of his days gathering “dust bunnies” inside a closet, or is it time to boldly venture to the unknown yet exciting possibilities in life? At what point should personal happiness be prioritized over the selfless advocacy? TS4 breaks the mold of what a toy should do. It gives it’s characters autonomy over their fates. Woody’s path to self realization imposes a lot of conflict which brings the character’s journey into a much fuller circle than what we thought before.

“Who needs a kid’s room, when you can have all this?” Bo Peep is back… and she’s a badass.

It’s also a film about breaking misperceptions, the things that we once fear – in Woody’s case, becoming a lost toy – might not be as horrendous as we once thought. There’s a wonderful subplot too about second chances and self-acceptance present in the film’s de facto villain, Gabby Gabby (Christina Hendricks), a vintage doll who believes that the only way she can be loved is if she gets a replacement for her defective voicebox… just like the one that’s sewn into Woody’s back.

Creepy baby doll Gabby Gabby controls a gang of ventriloquist dummies in ‘Toy Story 4.’

Emotionally, TS4 does not surpass the amount of damage that TS3 did to our tear ducts, yet it knows wisely not to. TS4 makes up with a lot of laughs. It’s situational humor is consistently clever, like Buzz’s complete misunderstanding of conscience/inner voice for his pre-programmed recordings and also the humor mined from our old-time favorites like Jessie (Joan Cussack), Rex (Wallace Shawn), the Potato Heads (Don Rickles and Estelle Harris), etc. Most of them might be relegated to minor status to further advance the theme and plot, but this sequel introduces equally memorable scene-stealers like disaster-prone daredevil Duke Caboom (Keanu Reeves), and a pair of hysterical conjoined carnival toys Ducky (Keegan Michael-Key) and Bunny (Jordan Peele).

Back from the retirement shelf (L-R): Trixie, Buttercup, Mr. Pricklepants, Dolly, Hamm, Buzz Lightyear, Rex, Aliens, Jessie, Slinky Dog, Bullseye, Mr. and Mrs. Potato Head reprise their roles in ‘Toy Story 4.’

Some may take TS4’s level of animation and production design for granted but Pixar has always been spectacular in their game. TS4 is easily the best-looking entry in the franchise. Likewise, the same can be said to the whole voice cast, especially Tom Hanks in particular who still sounds as youthful and as energetic as he did two decades ago.

Toy Story 4 never loses sight of what makes the franchise appeal to multiple generations. It can have all the fun that it wants but the viewing experience never falls short of meaningful and inspirational, as the franchise has shown steadfast commitment to deliver mature yet kid-friendly themes. If you’re planning to skip this because you believe that the trilogy already ended so perfectly, believe me when I say that you’ll be missing a great deal.

5 out of 5 stars
Directed and co-written by Josh Cooley, ‘Toy Story 4’ stars Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele, Madeleine McGraw, Christina Hendricks, Keanu Reeves, Ally Maki, Jay Hernandez, Lori Alan, Joan Cusack, Bonnie Hunt and Kristen Schaal. 100 minutes. Rated G.

‘Incredibles 2’ review: Still incredible after 14 years

In the sleuth of modern superheroes, Brad Bird’s ‘Incredibles 2’ rises above the noise by confidently kicking it old-school and placing its heart where it needs to be.

It seems like yesterday but when Pixar’s The Incredibles came out in 2004, the superhero genre was just starting to gain a foothold in the cinema – Sam Raimi’s Spider-Man and Bryan Singer’s X-Men were only the top commodities that time; Tim Burton’s Batman might be too gothic for mainstream taste; Christopher Nolan’s reinvention of Batman Begins wouldn’t come a year after; and Kevin Feige’s Marvel Cinematic Universe was still in its years of troubled development. Flash-forward to 2018, these superheroes (metahumans, demi-gods or whatever their comic origin calls them) has now dominated the landscape – heroes like Spider-Man are now just supporting characters in a gigantic crossover film where almost everyone is “super”.

READ MORE: Sacrifice is the main undercurrent theme in ‘Avengers: Infinity War’

Hence, when the Parr family (Bob, Helen, Violet, Dash and Jack-Jack) first graced our silver-screens, it almost feels like a game-changer. A visually dazzling animated feature that alternates the breakneck action to the satire of living a suburban life; it knows when to be goofy and when to treat its protagonists seriously. Writer/director Brad Bird based each of his characters’ powers from stereotypes: the dads/providers are the strongest members in the household, moms/busy bees are always stretched to different directions, moody teenagers put up shields and struggle with social invisibility, young kids are filled with boundless energy, and the babies are just unpredictable. Simply put, this character-driven blockbuster uses spectacle for us to better see ourselves – it’s an instant classic that appeals to both children and parents.

But why delve so much on The Incredibles when this article is supposed to be a review on its sequel? It’s because Incredibles 2 literally picks off right where its predecessor ended, completely ignoring the 14 year-hiatus and keeping its characters of the same age – with animation it’s always possible. The 2004 film is a tough act to follow and rather than going with the modern formula that takes advantage of its genre’s popularity, Brad Bird keeps it visually and thematically intact with its predecessor.

And so, in the aftermath of a destructive battle with ‘The Underminer’, the “supers” are once again deemed illegal by the government forcing the Parrs to permanently hide their secret identities. Opportunity knocks the door when telecom mogul/superfan Winston Deavor (Bob Odenkirk) and his tech-savvy sister Evelyn (Catherine Keener) offers them to revamp the public’s perception by letting the least destructive “super,” Helen/Elastigirl (Holly Hunter) do their crime-fighting activities. A gender reversal plays and Bob/Mr. Incredible (Craig T. Nelson) is left to take care of their teen daughter Violet (Sarah Vowell) who’s dealing with boy issues, their hyperactive son Dash (Huck Milner) who’s confused by his math homeworks and baby Jack-Jack who’s just discovering his variable array of powers. Keeping things in the continuous timeline, the sequel brings back old-timers like family friend Lucius Best/Frozone (Samuel L. Jackson) and fashion designer Edna Mode (voiced by Bird himself) while introducing a new breed of superheroes with Karen/Voyd (Sophia Bush) being the standout.

Incredibles 2 kicks off with a sub-par level of animation to connect its opening sequence to the first film’s ending. As soon as the title card flashes, the modern animation flourishes yet Bird and his animators still bring out evocative imagery through retro design touches and occasional noir lighting. Complemented with a blood-stirring musical scoring from Michael Giacchino’s (also worked on Jurassic World films), Elastigirl is placed center stage and shines in manipulating her flexible frame – especially in a thrillingly executed runaway train sequence that should give the Mission Impossible films a run for its money.

READ MORE: ‘Jurassic World: Fallen Kingdom’ review: Hollywood weaponizes dinosaurs

Juxtaposed with this high-wired action is the comic-relief from Bob’s struggle to temporarily act as both the father and the mother in his household. Majority of the stress comes from babysitting Jack-Jack as his unprecedented powers gives a whole new definition to “baby-proofing” when the house itself needs more of the protection. An ensuing brawl between the infant and a surprised raccoon is a pure child’s play that should amuse the younger audiences; but when the film comes down to its sincerest moments, it brings out a defining point in what does it take to be a superhero. That parenting requires far more than extendable limbs – a heroic act in itself that should never be undermined.

The beauty of Pixar/Disney films is that they always have something to say towards its mature audiences. At one point in the film, there is a moral debate between Bob and Helen on the legality of “supers”, whether it is better to set a good example to the kids by obeying an unjust law or bend them in the hopes of making a positive impact in the future. Another underlying message that should stick out is supervillain Screenslaver’s modus operandi of hypnotizing the public to eradicate the “supers.” This is an evident metaphor/PSA that we are part of a society who lives our lives through a screen. It may teem with social relevance but when it comes to nemesis, Syndrome packs more thematic punch since he’s more of a key element to Mr. Incredible’s character journey in the first film.

Incredibles 2 took 14 years to arrive and now that it has landed, is it a little outdated now to the growing tastes of moviegoers? One can definitely argue that point. However, Bird’s decision to pick up where the last film ended gives him more freedom to cultivate his script and direction without worrying how the characters stack up against the modern heroes of say, Marvel or DC universe. The proper goal of this sequel is to bank on what made the first outing memorable – a balanced act of domestic drama and superhero theatrics, while slightly prodding the franchise to a new direction. As long as the franchise places its heart where it should be – a story of a family working together in the face of seemingly insurmountable odds, the Incredibles can rise above the noise.


4.5 out of 5 stars


Distributed by Walt Disney Studios, Incredibles 2 is now showing featuring the voices of Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Bob Odenkirk, Catherine Keener, Brad Bird, Jonathan Banks, Sophia Bush, and Samuel L. Jackson. Written and directed by Brad Bird. Runtime: 118 minutes.

Filipino Pixar artist comes home to celebrate release of animated film ‘Coco’

Filipino animator Gini Santos visited her home country on November 6 to 7 to celebrate the upcoming release of Disney•Pixar’s Coco, for which Santos served as Supervising Animator – the first ever woman in Pixar’s history to hold the position.

Born in Pasay City in the Philippines, Santos moved to Guam with her family when she was 3 years old. She then returned to her home country years later to study at St. Scholastica’s College (high school) and University of Santo Tomas (UST), where she graduated with a degree in Fine Arts with a major in Advertising.

Hired by Pixar Animation Studios in 1996, Santos worked on many critically praised Pixar films, including the Academy Award®-winning Finding Nemo, The Incredibles, Ratatouille, and Up.

“The welcome’s been amazing. After all the hard work we’ve done for Coco, to be recognized as a Filipino who worked on the film, which has gotten great response, has been amazing,” said Santos, who was back home to meet the local media.

At the special advanced screening for Coco on November 6 at Newport Cinemas in Newport Mall, Resorts World Manila, Santos was presented with a plaque of appreciation by the city of Pasay “for being an exemplary citizen of Pasay City,” where she and her family lived before moving to Guam. The award was presented to her by City Administrator Atty. Dennis Acorda, representing Mayor Antonio Calixto.

At the same event, Santos was also awarded by the Original Pilipino Performing Arts (OPPA) Foundation with a plaque of recognition by OPPA President Menchu Lauchengco-Yulo. OPPA is a foundation that aims to support aspiring Filipino artists by providing them with opportunities that will improve their knowledge and craft.

“In our unwavering commitment to champion Filipino talent, the Original Pilipino Performing Arts would like to present this plaque of recognition to Ms. Gini Santos for her invaluable contribution to showcasing the creativity of the Filipino to a global audience,” said Lauchengco-Yulo. “We are proud that she shares the foundation’s vision to support, nurture, and elevate the Filipino talent. Thank you for being an inspiration.”

Santos also conducted an animation workshop on November 7, which was attended by more than 250 students. “There’s a vast amount of information on the internet about animation. Look out there and learn,” advises Santos. “Keep pursuing and trying things.”

Disney•Pixar’s Coco opens in Philippine cinemas on November 22, 2017, alongside Walt Disney Animation Studios’ 21-minute featurette Olaf’s Frozen Adventure.

About Disney•Pixar’s Coco

Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3), Disney•Pixar’s Coco opens in Philippine theaters on Nov. 22, 2017.


About Walt Disney Animation Studios’ Olaf’s Frozen Adventure

Olaf (voice of Josh Gad) teams up with Sven on a merry mission in Walt Disney Animation Studios’ 21-minute featurette, Olaf’s Frozen Adventure. It’s the first holiday season since the gates reopened and Anna (voice of Kristen Bell) and Elsa (voice of Idina Menzel) host a celebration for all of Arendelle. When the townspeople unexpectedly leave early to enjoy their individual holiday customs, the sisters realize they have no family traditions of their own. So, Olaf sets out to comb the kingdom to bring home the best traditions and save this first Christmas for his friends. Directed by Emmy®-winning filmmakers Kevin Deters and Stevie Wermers Skelton (Prep & Landing), produced by Oscar® winner Roy Conli (Big Hero 6), and featuring a screenplay by Jac Schaeffer and four original songs by Elyssa Samsel and Kate Anderson, Olaf’s Frozen Adventure opens in front of Disney•Pixar’s original feature Coco in Philippine theaters on Nov. 22, 2017.

‘Coco’ trailer: Discover life after death in new Disney•Pixar animation

Watch the new trailer for Disney/Pixar’s Coco below and see the film in Philippine cinemas starting November 22 in 3D.

The animated adventure which follows a young aspiring musician and a charming trickster on an extraordinary journey through the Land of the Dead.

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

The film is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

Coco is distributed by Walt Disney Studios Philippines.

WATCH: Travel to the land of the dead in first trailer for Disney-Pixar’s ‘Coco’

Disney-Pixar has just released the first trailer of the animated adventure Coco which follows a young aspiring musician and a charming trickster on an extraordinary journey through the Land of the Dead.

Check out the trailer below and watch Coco in Philippine cinemas starting November 22, 2017.

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

The film is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

Coco is distributed by Walt Disney Studios Philippines.

MOVIE REVIEW: Finding Dory (2016)

“Finding Dory” Review
Written and Directed by Andrew Stanton and Angus MacLane

One of the most anticipated sequels of the 2016, Finding Dory takes us back to the lives of beloved characters Dory (Ellen DeGeneres), Marlin (Albert Brooks), and Nemo (Hayden Rolence), a year after they crossed the ocean to rescue Nemo from a horrid and mundane fate: living it out in a dental office’s aquarium. Dory now lives right next door to Marlin and Nemo’s anemone home, and has established herself as that kind of family friend (the kind that just shows up unexpectedly). She has become so familiar, Nemo has to warn Dory that anemones sting other fish, but Dory seems to revel in her ignorance.

Andrew Stanton and Angus MacLane’s writing team stuck to the formula that made its predecessor a classic: focused on a kind of loss that emboldens you to cross the ocean (quite literally) to regain whatever it is you lost. If it was Nemo before, it’s Dory’s family and memories of her family now.

The film is essentially an origin story for the forgetful Pacific Blue Tang, and how she ended up meeting Marlin in the first place. She has a tendency to lose her memories immediately anyway; but her being able to recollect memories long forgotten drives her to do something about it, lest she forget again.

A smattering of new supporting characters are also introduced to liven up the story even more than it already is: sea lion mates Fluke (a deep and gravelly Idris Elba) and Rudder (Dominic West), tank neighbours Destiny (Kaitlin Olson) and Bailey (Ty Burrell), and breakout character Hank (Ed O’Neill), a selfish, grumpy, self-loathing octopus scared of the open ocean and bitter about losing an arm (Dory’s relentless persuasion of him being a septopus instead of an octopus didn’t help, either). Flexible enough to slither (and scale hanging structures) along the ground and capable to change his colour and texture to blend anywhere, Hank is not only entertaining, he also ends up becoming an unexpected bestfriend to our favourite Blue Tang (and I’ll never get tired of seeing him in stroller).

As it is, one of the most thought-provoking aspects of the film is the relationship Dory had with her parents Charlie (Eugene Levy) and Jenny (Dian Keaton). Growing up as a fry with short-term memory and a speech impediment, the film once again shows the challenges of taking care of a child with special needs or disability (Nemo, in fact, is a comparable to a child with one shriveled arm). It’s not something everyone can relate to, but it’s still quite evident, and pulls at the heartstrings a bit too strong.

Finding Dory is not as fresh as the first, but understandable due to the fact that as a sequel, it simply follows a tried-and-tested formula (compared to the risk of the first movie, which could’ve bombed for all we know). Its saving grace though is the wonderfully talented wring pool Pixar has in its studios, making the story happy and poignant, calming and thought-provoking, all at the same time. It’s like Beef Rendang. It almost has everything, but doesn’t feel spoilt. The harmony of so many things combined together, without the chaos. In the end, it’s worth a watch. And it’s worth every peso.

Discover magic within your flaws in comedy adventure ‘Finding Dory’

Disney•Pixar’s new comedy adventure “Finding Dory” welcomes back to the big screen everyone’s favorite forgetful blue tang Dory, who is living happily in the reef with Nemo and Marlin. When Dory suddenly remembers that she has a family out there who may be looking for her, she recruits Marlin and Nemo for a life-changing adventure across the ocean to California’s prestigious Marine Life Institute (MLI), a rehabilitation center and aquarium.

In the effort to find her mom and dad, Dory enlists the help of three of the MLI’s most intriguing residents: Hank, a cantankerous octopus who frequently gives employees the slip; Bailey, a beluga whale who is convinced his biological sonar skills are on the fritz; and Destiny, a nearsighted whale shark.

Deftly navigating the complex innerworkings of the MLI, Dory and her friends discover the magic within their flaws, friendships and family.

Filmmakers were eager to answer questions about Dory’s past. “She has that natural desire to know who she is and where she comes from,” says director Andrew Stanton. “I always had ideas about Dory’s backstory, and we decided the time had come to explore that with her.”

“Dory’s short-term memory loss, while a source of comedy before, has very real consequences for her,” says producer Lindsey Collins. “She spent a lot of time alone before she met Marlin. She’s always upbeat and perky, but deep down she’s afraid of what might happen if she gets lost again. While she struggles to deal with her shortcomings—she has no problem accepting everyone she encounters. She doesn’t even realize that she’s surrounded by characters with their own hurdles to overcome.”

“The story is really about Dory finding herself—in every way,” adds Stanton. “She’s compelling and vulnerable and has yet to recognize her own superpower.”

“Finding Dory” features an all-star voice cast, welcoming Ellen DeGeneres and Albert Brooks back to the sea as favorite fish Dory and Marlin. Ed O’Neill lends his voice to “septopus” Hank, Kaitlin Olson voices whale shark Destiny, and Ty Burrell gives voice to beluga whale Bailey. Portraying Dory’s parents Charlie and Jenny are Eugene Levy and Diane Keaton. And 12-year-old Hayden Rolence steps in to help bring Nemo to life.

Directed by Stanton (“Finding Nemo,” “WALL•E”) and co-directed by Angus MacLane (“Toy Story OF TERROR!”), the film is produced by Collins (co-producer “WALL•E”) and executive produced by John Lasseter, with music by veteran composer and long-time Stanton collaborator Thomas Newman (“Bridge of Spies,” “WALL•E,” “Finding Nemo”),.

Disney•Pixar’s “Finding Dory” swims into Philippine theaters June 15, 2016.

“Finding Dory is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures. Follow the official social media accounts of Disney in the Philippines, namely, (FB) WaltDisneyStudiosPH, (Twitter) @disneystudiosph and (Instagram) @waltdisneystudiosph.

WATCH: New ‘Finding Dory’ trailer reveals her destiny

Disney-Pixar has just reeled-off the new trailer for its upcoming comedy adventure “Finding Dory,” and in the process revealed the blue tang’s destiny… or make it Destiny – Dory’s long-lost whale shark friend who has an exciting story to tell. The trailer premiered at The Ellen Show of “Finding Dory” lead voice star Ellen DeGeneres. View the trailer below.

Directed by “Finding Nemo” helmer Andrew Stanton, the film reunites Dory with friends Nemo and Marlin on a search for answers about her past. What can she remember? Who are her parents? And where did she learn to speak Whale?

Ellen DeGeneres returns to voice everyone’s favorite forgetful blue tang. Joining her in the voice cast are Ed O’Neill as Hank, a cantankerous octopus; Ty Burrell as Bailey, a misguided beluga whale; and Kaitlin Olson as Destiny, a kind-hearted whale shark.

“Finding Dory” also features the voices of Albert Brooks, Diane Keaton and Eugene Levy.

Opening across the Philippines on June 15, 2016, “Finding Dory” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

Follow the official social media accounts of Disney in the Philippines, namely, (FB) WaltDisneyStudiosPH, (Twitter) @disneystudiosph and (Instagram) @waltdisneystudiosph and use the hashtag #FindingDoryPH.

Great vocal talents add life to ‘The Good Dinosaur’ characters

Aside from the lead voice actors for Arlo and Spot, Disney-Pixar’s The Good Dinosaur features an extraordinary roster of voice talent for the supporting characters. “We were lucky to work with a number of incredible pros along the way and our story ultimately led us to this amazing and talented group,” says director Peter Sohn. “It’s been a privilege to see these performers bring our characters to life.”

POPPA (Jeffrey Wright). Brave and selfless, Poppa is a devoted husband and father, working tirelessly to make a life for his family on their farm. He has a soft spot for Arlo, his small and fearful son, and takes special care of him as he grows up. Poppa believes in Arlo and knows that with enough perseverance, Arlo can overcome his fear and make his mark.

MOMMA (Frances McDormand). A loving wife and mother, Momma is smart and quick-witted. She’s a hard worker with a lot of love for her family, and she keeps her children and their farm in order. Her quiet strength is the backbone of the family.

Poppa and Momma
Poppa and Momma

BUCK (Marcus Scribner) is Arlo’s brother: they’re the same age, but Buck is bigger, stronger and a little rambunctious. He likes to tease his fearful brother as often as he can—and Arlo is an easy target. Buck’s size, strength and confidence allow him to do things that Arlo can’t imagine doing—like ripping a tree out of the ground with his teeth.

LIBBY (Maleah Padilla). Arlo’s sister Libby is a capable and willful girl who can plow a mean field. The little trickster has a great sense of humor, and loves playing silly pranks on her family.

Libby and Buck
Libby and Buck

PET COLLECTOR (Peter Sohn) is a mysterious Styracosaurus who lives in the wilderness. Like Arlo, he harbors unreasonable fears. His ability to blend into his surroundings helps—along with an unusual (but not exactly fierce) collection of forest critters he’s recruited to protect him.

Arlo and Pet Collector
Arlo and Pet Collector

BUTCH (Sam Elliott) is a rugged and intimidating Tyrannosaurus Rex—showcased by the gruesome scar across his face. A veteran rancher who’s a real pro when it comes to herding longhorns, Butch encourages his kids Ramsey and Nash to learn by doing, hurling them into one hairy situation after another. Butch likes nothing better than trading war-stories over a campfire at the end of a long day.

A fearless, whip-smart and no-nonsense Tyrannosaurus Rex rancher, RAMSEY (Anna Paquin) loves the challenge of driving a herd of longhorns with her father, Butch, and her little brother Nash. Ramsey has a lively, outgoing personality—she likes good jokes, tells a mean story and has a soft spot for those in need.

An enthusiastic young Tyrannosaurus Rex, NASH (AJ Buckley) lives for adventure, and loves when something unexpected breaks up the routine of rounding up longhorns with his father, Butch, and his big sister Ramsey. He isn’t the sharpest of spurs and has trouble keeping track of their herd, but his mischievous charm and positive attitude make him good company out on the range.

Butch, Nash and Ramsey
Butch, Nash and Ramsey

The PTERODACTYLS (Steve Zahn, Mandy Freund and Steven Clay Hunter) are a search-and-“rescue” team of five. They like to sit back and let the often-treacherous storms in this part of the world do their dirty work, then reap the benefits of the devastation. But when these flying hunter-scavengers set their sights on Spot and Arlo, they’re in for a big surprise. The voices behind the pterodactyls include .

RAPTORS (Dave Boat, Carrie Paff, Calum Mackenzie Grant and John Ratzenberger) prey on the prized herd of longhorns that belong to Butch and his Tyrannosaurus Rex family. Raptors—or Rustlers, as Butch calls them—sport wiry, feathered bodies and hardly compare in size or strength to a T-Rex. But as a group, the Raptors pose quite a threat, and even a T-Rex may need to call in reinforcements before tangling with them.

Raptors and Pterodactyls
Raptors and Pterodactyls

Disney•Pixar’s “The Good Dinosaur” asks the question: What if the asteroid that forever changed life on Earth missed the planet completely and giant dinosaurs never became extinct? Pixar Animation Studios takes you on an epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend.

Opening across the Philippines on November 25, 2015, The Good Dinosaur is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures. Follow the official social media accounts of Disney in the Philippines, namely, (FB) WaltDisneyStudiosPH, (Twitter) @disneystudiosph and (Instagram) @waltdisneystudiosph and use the hashtag #GoodDinoPH.

— PRESS STATEMENT FROM WALT DISNEY STUDIOS MOTION PICTURES